Distraction: words in brief

Everything I love sometimes seems a distraction from something else I’m equally devoted to, each passion wanting all of my time, clamoring for my singular attention. Instead of following one path with focus, I climb between the spokes of a wheel, or the threads of a spider web, moving with great enthusiasm for a while in one direction, then ditching it and jumping spokes towards something else. An equally multi-passionate friend drew a diagram of this for me once. “You may not go as far on any of these paths as someone more singularly focused,” she said, “but you will keep coming back. Your path is like a spiral. And look at these connection points; look at the bridges you are building; look at the web you are weaving here.”

From 100 Words: The Beauty of Brevity. Word prompt: “distraction.” 

I’ve committed to the full 100 days of writing prompts this time around, so there will be many more very brief pieces posted her over the next few months. I plan to share a lot of them here, but I won’t repost every piece. There are some I want to hold close or put aside for a while.

Reverse: words in brief

I failed my first driving test at sixteen, failed by hitting the gates out of the simulated parallel park, by narrowly missing a pedestrian crossing the road, by turning right on a red light just as a wave of traffic roared towards me from the left. The examiner’s indignant exhale of breath as I executed the first of these maneuvers was enough for me to know where this test was heading. The rest of the drive was tense and half-hearted, me already close to tears. After a year of tending my bruised ego, I signed up to try again. I clocked in hours of practice this time, my high-school boyfriend coaching me as I reversed into parking spots again and again. Now, years later, I am suddenly filled with gratitude for his patience.

For 100 Words: The Beauty of Brevity. Word prompt: “reverse”.

 

Stalking hope; small-scale visions; and stepping on and off the path

After the American election last November, in the bleakness of the weeks that followed, I found myself making tiny collages and drawings for myself and to send to friends. Three of us started a small reciprocal putting-things-in-the-mail project of assigning words to each other – courage, tenderness, delight, solace, trepidation, audacity – to illustrate on a tiny and highly intimate scale. We mailed them back and forth for months. Something about the miniature acts of creation centered me, kept my hands busy, kept my mind healthy, perhaps reminded me that small gestures can have large meaning, especially when they weave relationships together, especially when they keep us afloat in a storm.

More recently, I’ve become infatuated with poetry: reading it, writing it, reading about writing it. There is something about conciseness, an oblique perspective, and the need to speak through image instead of argument that is compelling to me. It feels like a particular kind of magic that I want to draw towards myself, that I want to take in and also to birth. It’s no less work than writing an essay, but it’s a very different kind of work. It’s a work of compression rather than expansion. It is a form of translation: of the language of the heart into the language of the intellect and then back again. It is also, for me, a small stone tossed into the enormous pool of human words, confessions, arguments, and opinions, a gesture that often feels more natural to my way of being than further filling up the pool itself. As Denise Levertov wrote, poetry is a way to “awaken the sleepers by means other than shock.” Or, as Jane Hirshfield so brilliantly puts it:

Not for poetry the head-on meeting of inquiry and object found in the essay, the debate, or the letter to the editor. A poem circles its content, calls to it from afar, looks for the hidden, tangential approach, the truth that grows apparent only by means of exile’s wanderings, cunning’s imagination, and a wide-cast, attentive silence. Poems do not make appointment with their subjects – they stalk them, keeping their distance, looking slightly off to one side. And when at last the leap comes, it is most often also from the side, the rear, an overhead perch, from some word-blind woven of brush or shadow or fire.

I think about this often, the large and the small, the direct and the tangential. I think about the idea, one I’ve heard proclaimed by several people as a personal vision, that we should each aim to make the biggest difference to the largest number of people possible. I can’t really argue with this goal, but the first time I heard it, I felt my heart sink. Clearly, as a mother with small children – albeit now larger – whom I had decided to homeschool  for an undetermined length of time, I had abdicated this kind of heroic vision for myself. My influence might arguably go deep, I thought, but it would not be cast wide.

As a voracious reader and follower of internal tangents, I recently became absorbed in reading fairy tales, fascinating maps of human development and age-old troves of insight. One thing I was reminded of – which in youth would have made me want to scream, but in early middle-age I find highly reassuring – is how often the individual path to heroic goals leads through a lot of very minute tasks: the separating of poppy seeds from sand, the plucking of a tail feather from every bird in the world. Or sometimes a commitment to years of repetitive work required in order to move on to the next stage of the journey. The heroic journey rarely looks heroic in the middle of things. It is ordinary, repetitive, slow: very much about showing up and doing the work, very much about patience.

And the repetitive tasks themselves, of course, can only be accomplished with help. Beware anyone on the heroic path who turns aside from the smallest request from the smallest creature – the ant, the bee, the bird, the fish. In the fairy tale world, stepping off the path to help is always the right choice. Without the turn off the path to answer the call for help, without the reciprocal relationships that are birthed from generosity, the impossible tasks encountered later on the path would remain impossible. The heroic journey so often emerges out of making a difference to one small creature at a time. It’s the reciprocity, the collaboration formed in those small connections, that makes room for creative and intuitive shortcuts that unlock the gates of the most impossible tasks.

I think about this when I attempt to be single-minded. “I’m going to be a writer. Seriously,” I say to myself, and so I cut down on outside commitments, I attempt to keep my focus, I disengage a little from the world. And I do increasingly believe that to be of service in the world comes not out of being always available to outside requests nor out of other people’s sometimes limited definitions of one’s abilities, but from a place of discernment deep within that knows what ignites us and what delights us and what is our own particular gift to share. In other words, good boundaries, clarity of vision, and abundant self-knowledge. And what is separating poppy seeds from sand all about if not discernment?

That doesn’t, however, account for the ongoing moral need to keep stepping off the path. Stepping off the path to stay engaged with what is needed in the wider world. Engaged and alert and responsive, but not obsessed, not so overwhelmed that we forget our path entirely. And yet stepping off the path is a crucial part of the story; without it the story would have no heart. Stepping off the path is in the end what makes the necessary discernment possible. It’s what brings us into the interdependence that will make the story whole, that will make us whole, that maybe – maybe – will make the world whole.

What I see for myself as I chew over these questions is the need to take things step by step, to start with what and who is nearest to me and let those actions ripple outwards. I don’t believe that it is always easiest to be kind to those who are closest to you, to those who share your DNA, your home, your table, your neighbourhood. Sometimes it’s the hardest thing. And that small-scale kindness, if it is maintained with intention, context, and an outward eye into the world and its needs, has its impact. Compassion ripples outward.

There’s a balance that I am constantly looking for between the shouting of the online world, which I sometimes mistake for a required form of civic engagement, and withdrawal from it. Some balance which uses the tools of modern life in ways that are generative and meaningful. Some balance that allows me to continue to speak in my own elliptical voice with its own particular clarity, instead of requiring me to adopt the linear language of argument. Some balance that focuses on the good and the beautiful, but is not afraid to look the shadows of hate in the face and call them out by name. Some balance which attempts to locate itself in small, real-life encounters and relationships, in small-scale acts of creation, in loving gestures, in patience, in intentional conversations with strangers, in being available to friends and neighbours, in being deeply at home in the more-than-human world. In sum, in that foundational element of life which is mostly about showing up, wherever and whoever you are.

Our culture sometimes tries to tell us that only large gestures have meaning, that only large voices can be heard. This is a fallacy of individualism, but so is the idea that small gestures that we undertake divorced from context, community, and systemic change can make a difference in a world that is at its core all about interdependence. Small-scale gestures in relationship, repeated, multiplied, passed on, rippling outward, set down the stitches and repair the tears so that larger tapestries of healthy communities and cultures can emerge.

Perhaps it also helps to take an ecosystem view: what have we learned about the cascade effect of taking any element out of the system, out of the complex web of relationships that is tightly and perfectly woven, each piece depending on all of the others? I remind myself that whatever my small piece is – and humans have so much more trouble inhabiting this than other creatures – I need to root myself in it. That small piece is, in some way, absolutely necessary to the whole.

I insist on radical hope in myself, even when in my Eastern European moments of fatalism I wonder how long this can all last, everything our culture takes for granted. I try not to take any of it for granted. I try to be absolutely clear with myself where the privilege is in my life, where the gifts, what I need to heal to keep the ripples moving outward in ways that are generative and healthy to myself and others. The piece I hold is not too small; the piece you hold is not too small. But let’s keep connecting them. We need to keep trusting each other to love the world and everything in it, and to keep doing the things that need to be done, with discernment and generosity, courage and tenderness. That is the most and the least we can do.

 

word cards

Images by Malgosia Halliop, Camille Glodeck, Heather Wheldrake. Photo by Camille Glodeck.

 

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Photo by Camille Glodeck

A writer’s manifesto

This came out of an exercise in a class, the first “creative writing” class I’ve taken, after years of practicing writing in every other context. It came out out of a conversation about voice, and out of the prompt “I want to write in a way that…” It also perhaps came out of a question I pulled the other day in a deck of question cards I sometimes use for inspiration and insight: “What delights me?” What I find fascinating and useful in writing in a context where speed and spontaneity is prioritized (ie. timed free-writing prompts) is that for better or worse you start to learn what your own voice sounds like.

I want to write in way that marries observation and magic, that speaks with awareness of the world as it is – the bark of trees, the flight of birds, the exact blue of the bluest sky, the way the tracks of wolves trotting make a straight line in the snow – but also shifts sideways into other realms, maybe not quite crossing the threshold into fantasy, but hinting always at its existence, giving glimpses through a foggy window into a world that is also possible. I want to write from my heart, with poignancy and truth and openness. But sometimes I also want to be clever, to play with words and ideas, make them leap over each other like dragonflies, changing direction in mid-air, gliding backwards, diving straight down into the water, ethereal and predatory at once.

I want to write in a way that is honest but a little sly, that always leaves room for mystery. I want to catch the unexpected details: the man walking across from me last week – so ordinary with his runners and earphones – who raised his arms wide to the sky in a momentary gesture that opened my heart with expansiveness and praise; this morning, the startling sense, as I parted the petals of a peony and caught a glimpse of the erect flushed pistils, that I was trespassing into a private erotic realm.

I want to keep being surprised at the world. I want to engage the heart and brain and body, warm the blood, wrestle with imagination. I want to soar with my words – I can’t help it, I am in love with flight. But I want to let myself sink down deeply into the earth as well, feeling her warmth, hearing the imperceptible sighing of tiny creatures under the soil, smelling the moisture of the rain-soaked grass. I want to watch humans out of the corners of my eyes, keep my ears always open, notice what we each try to keep hidden and obscured. I want to record glimpses of conversations I overhear on the bus in languages I don’t understand, tracing the shapes of bodies leaning towards and away, catching fleeting smiles in the eyes and at the mouth’s corners.

I want to find words to sketch the shape of the non-verbal. I want to wonder and tease, seduce and celebrate.

peony

Midlife, fairy tales, and the mentoring of books

I’ve taken a long hiatus from this blog again, and why? I’m not any busier than I have been since I started writing here. In truth, I am probably less busy. Perhaps I feel less able or simply less willing to juggle many balls at once, albeit many of them having been visible only to myself. I think that overall this is a good thing. In recent months I find myself consistently and unexpectedly getting eight hours of sleep every night. I find myself delighting in my own company. I even find myself saying no to many things that could bring me joy, because once there are too many things piled upon each other, the joy slips away.

The word that has been sitting with me recently is discernment. Discernment is often challenging for an enthusiast. Everything that approaches me seems equally exciting, equally possible, equally worthy of my attention. But if I spend my life responding to external invitations, however enticing, when do I sit still and listen for the quiet inner voice, the whisper of intuition, my internal truth?

Recently, I find myself asking these questions of everything that asks to find its way into my life: Is this necessary? Does this feed me? Is this truly using my gifts? Is this the best way to be of service? Is it wise to say yes to this? What do I need to give up in order to make this possible?

Because there is always something that I will need to give up.

I read recently that midlife starts when one begins counting down until the end of life instead of counting up from the beginning. The parts of life that seemed impossibly far away and perhaps not very interesting when I was in my twenties and thirties now loom huge and close and fascinating. Age has become more interesting than youth.

And it feels like time to worry much less about what to do and much more about who to be.

As I look towards the elders in my life for maps of the route ahead, I’m also recognizing how much I am soaking up the mentoring I find in books. Reading has often been a baseline for me, sometimes it’s been an escape, often it’s been an anchor, and sometimes it’s been pushed to the side for more active pursuits. But now I find myself reading voraciously again, in a way that feels like deep nourishment for my soul. I am ravenously hungry for wisdom.

A couple of years ago, I felt a bit unhinged. I found myself facing parts of myself that had long been lonely, self-critical, armoured, afraid. It was time to face them. I spilled a lot to a few people, spent a lot of time writing, re-established some good grounding and creative practices, learned to be much kinder to myself. But for some time I also found myself grabbing hold of certain books and carrying them around with me, feeling reassured by their physical presence, by what felt like the voices and stories of people wiser and kinder than myself reaching out to hold me.

That year, I spent a lot of time with Tara Brach’s Radical Acceptance, Sue Monk Kidd’s Dance of the Dissident Daughter, Francis Weller’s The Wild Edge of Sorrow, David Whyte’s Consolations, anything by Brené Brown and Pema Chödrön.

After that I read everything I could find by Martin Shaw, Stephen Jenkinson’s Die Wise, Sharon Blackie’s If Women Rose Rooted, and finally and slowly – after looking at its thick spine sitting on my desk for several years – Clarissa Pinkola Estés’ Women Who Run With the Wolves. I’m still working on that one.

In the midst of these – along with much poetry and some fiction – I’ve read many other books: on writing, art, love, community, spirituality, psychology, mythology. But only some of them stay with me as elders and mentors.

Right now, inspired by the Clarissa Pinkola Estés and by an online course with Sharon Blackie, The Mythic Imagination, I’m reading a lot of fairy tales and folk tales. I love this deceptively simple form, the richness of it, the symbolic motifs, the universal questions. It brings out the scholar in me, the long-ago English student, taking delight in finding patterns in puzzling places.

Looking to folk tales for mentoring, I’ve come across two books by Allen B. Chinen, one of stories for midlife, one for elderhood. It is both unsettling and reassuring to find that everything that has preoccupied me in recent years is a developmental stage of this moment of my life. I may have known this in theory, but reading the same themes repeated again and again in folk tales from around the world brings it into my heart: I am a small piece of the puzzle, an ordinary human with ordinary human problems, “a small detail on the landscape” as I heard someone recently say, a phrase that I continue to find oddly reassuring.

Henry Miller wrote: “You observe your children or your children’s children, making the same absurd mistakes, heart-rending mistakes often, which you made at their age. And there is nothing you can say or do to prevent it. It’s by observing the young, indeed, that you eventually understand the sort of idiot you yourself were once upon a time — and perhaps still are.” I can see where I would like get to as a human, but I can’t get there any faster than my human capacity will allow.

Now, at midlife I have one foot in the ambition of youth and one in the generosity of the elder, stuck between expecting always to be rescued by magic and knowing enough to rely on my own practical wisdom, caught in between believing that the treasure and the prince are always mine to win and learning that, eventually, everything precious is meant to be given away.

desk june 2017

Homeschooling: ditching the routines

Someone I know recently posted on how short spring is in Canada, and how much he wants to appreciate it while it’s here. On one level, I get that. And yet, it reminded me that in my own psyche, I tend to favour the approach of the ancient Celts: there are only two seasons, winter and summer. November to May, and May to November. Not only two seasons, but two separate worlds, two ways of living, two ways of being in relation to myself and other people and the world. My lowest energy point always comes before the winter solstice, and the highest comes before the summer solstice. Midwinter and midsummer, as they were once sensibly called.

When our calendar says winter, my soul is already priming for the upswing of spring. On the longest day of the year, I start to see the bittersweet end of summer on the horizon.

Sometimes I resent the dark days, but I need those two parts of myself, and those two seasons, and those edges in between.

And so now, in the land of summer, we have been living a different life than we did a few months ago. Homeschooling makes this obvious. In winter, there is restlessness and not quite enough structure; the days are too short; going out takes a lot of energy, staying in is draining in its own way; socializing happens in crowded urban houses or in bursts of cold active outdoor time; everything seems to take a lot of effort. There are long dark evenings to fill.

Something switches in May. And this year, after trying to impose structure all through the fall and winter, I knew when it was time to throw it away. It started on our trip to England, after which I had two weeks of fighting with my kids about going back to this year’s homeschooling routines. Sometimes I make myself do things that don’t work for a while to prove to myself that they’re not working. School-at-home, even in a modified form, does not work for us. I see people for whom it does work. I’m realizing that I’m probably not going to be one of them.

So instead, we’re back to living on faith: that needing to communicate and co-exist with other humans; having books lying around every surface of our house; having regular access to great museums and art galleries and libraries; and most of all, having the whole REAL LIVING WORLD to explore is enough. Learning happens because humans are primed to learn, because they are curious and engaged and passionate, because they want to master things that they’re excited about or that they want to apply in real life. And even more so when there are supportive people, supportive mentors around – parents and others – to give a push when needed, but also to go along for the ride.

Which doesn’t mean we’ll throw our workbooks away forever. Maybe next fall the time will be right again for that kind of focus. Structured learning is a tool we can use again. Heck, actual school is always a potential option. But for the past two months we have been exploring the city; we have been camping with friends; we have been climbing trees and wading in rivers; we have been reading good books both together and separately; we have been designing games; we have been copying out favourite poems; we have been experimenting with culinary and art projects. And now we are looking forward to the full immersion of a couple of summer day camps.

As a homeschooling parent, or a parent in general, or simply as a person, I need to keep reminding myself to play to my strengths: curiosity and insatiable love of learning, openness to possibilities, creativity, good judgment, attunement to my kids’ needs, a certain kind of patience.

Yes, we also need to push against type, stretch our boundaries, challenge ourselves to do things that are hard. But equally, we need be ruthless about letting go of things that aren’t working, or aren’t working right now.

As I child I took piano lessons for many years. Three decades later, I guess I’m glad I did. But certainly, when I was allowed to quit, I happily quit. I didn’t regret not pushing myself to keep doing something I wasn’t at all passionate about at the time. Maybe if music had been taught in a way that inspired my creativity and enthusiasm. Maybe. And it’s not impossible that I’ll return to it some day. But right now I have no regrets.

When my children want try something new, something that I need to pay for – or when I convince them to – I generally require that they finish the initial commitment: the week of camp, one season of a class or program. This is usually enough to get through the hard parts. Sometimes after telling me that they never want to do it again, by the end they are begging to sign up again next season, or next year. Other times, they have no interest in going back, and I am learning to accept that. My role is to know when to coax them through the setbacks and when to let things go.

This also goes for relationships with other humans. We are all learning these lessons together.

There are a few things I regret not following through on in earlier years, but now I see that I will I pick them back up again when I’m ready. I will never be a specialist: there are too many things that I love, following every skill and subject that intrigues me being one of them. So I model learning to my children; I model curiosity; I model engagement.

I once read a long article about teachers working in the most challenging schools. The point that stuck with me from that piece is that the best teachers keep changing their strategy. They keep trying new things. They are ruthless about changing what doesn’t work. When I feel like I am a dilettante who can’t stick to any plan for long, I try to keep that in mind.

Trust versus fear. There is a lot of trust involved in homeschooling, or in raising kids under any circumstances. There are a lot of cultural messages telling me that I should choose fear instead, that whatever I do, my kids won’t be enough, won’t know enough, won’t be competitive, won’t be prepared. But I am going to trust: trust my intuition and my judgment, my children’s enthusiasm and their limits. Trust that they will find their way in the world when it is time.

Lachlan in Rouge river

Grieving the things we expected but didn’t receive: building and rebuilding the village

I love leaving and returning. I can see why people develop a habit of it, or of moving from place to place and floating on the emotional highs of goodbyes and hellos. Staying in place is hard work. In the past, even when I stayed in place, life was divided into periods of time that seldom overlapped. Now I can imagine all of my relationships stretching back into the past and forward into the future, ebbing and flowing, moving in cycles. It is a very different experience, the bird’s eye view of life – the lines moving away and back again, crisscrossing, narrowing, widening, crossing rivers and mountains and dark valleys, then returning. And me, tracing those paths over and over again, trying to understand where I belong.

We recently returned from a trip to England. I say I love returning, but on some level I didn’t want to return. After any amount of time where I have other adults around all day (or even one other adult, my husband, who often manages to make himself count as several people), I feel how impossible daily community feels in the culture I live in. I am permanently wavering between two extremes: what I am doing now, which is sometimes spending a lot of hours alone with two children (especially in the colder months); and the other alternative, which is putting the children into an age segregated group of thirty kids and one adult for many hours of each day, with all of the implications and expectations of that system.

I will keep choosing the first option, because I can’t currently reconcile myself to the second, but I am learning that homeschooling will always be a work in progress for us: building, deconstructing, and rebuilding; ebb and flow; love and fear; one foot in, one foot out; periods of connection, inspiration and flow and periods of confusion.

Shortly after we came back from England, I read Francis Weller’s The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief. He talks about five gates of grief, five ways of entering the sacred spaces that grief moves us through: grief at losing someone we love (generally the only grief acknowledged, even if inadequately, in our culture); sorrow for the world; ancestral grief; grief at the parts of ourselves that weren’t loved; and grief at the things we expected but didn’t receive. There is a lot to look at in each of them, but at this moment in my life, it was the last one that hit me hard.

The things we expected and didn’t receive, the things that are somewhere encoded deep in our genes and psyche as our birthright, are the elements of a village in its most ancient, most holistic sense: many hands to share the work; many arms to hold our children, to hold us; a deeply-rooted, unshakeable sense of belonging and trust; our gifts sought out, named, and celebrated; our passages honoured, from birth to death.

Our parents expected these things, and likely didn’t get them, and our grandparents too, and a long way back.

And I see how impossible it feels – despite knowing that I want these things for my children too – to provide them, because our community is never going to be intact and whole like a village; it will always be scattered, fragmented, compartmentalized, shifting; separated by distances, conflicting responsibilities and conflicting narratives. It will always be composed of people who also weren’t nurtured in the villages they expected, who – despite their best efforts – are also wounded, wary, unsure of where and how they belong, who are pulled by competing priorities and needs and the overwhelming daily demands of “making a living”.

It may seem strange to say that grief is a beautiful relief when contemplating what always seems to be out of reach. And this is a hard thing to articulate clearly, because at the same time that I speak of grief, I am also aware and grateful of how much richer and more honest and more passionate and more numerous the relationships that I am woven into now are then they have ever been in my life. And yet, as they become richer, it is like a doorway is opened to these deeply-hidden, deeply-encoded expectations, buried for so long, and they burst out with insatiable demands, impatiently wanting to be fed, howling out because they’ve had to wait for so long, wanting to live everything to the fullest now.

Or maybe I’ve reached a point in my life where a sense of urgency sometimes overwhelms me. And so gratitude and grief are entwined again, as they so often are: acknowledging both the beauty and the brevity of life; recognizing with tenderness that people are doing the best they can, that I am doing the best I can, that I need to be patient, that I can only take responsibility for myself.

Patience, my love, patience, I whisper to myself.

Grief is an antidote to cynicism and blame and disengagement. It is a necessary, ongoing ritual of clearing, of making space for reweaving the threads, of keeping my heart open to whatever comes next, of celebrating what is here.

When I said that I didn’t want to return, it is also because it seemed for a moment that it would be easier to be the one leaving than one of the people staying behind and trying to keep holding things together. Easier than committing long-term to creating community where I am. Easier than trying to understand what my role is, what I am meant to give. Easier than staying present and open to relationships that sometimes confuse me and sometimes break my heart. Easier than showing up and engaging.

Easier for a little while anyway. But if there is ever a time in my life for building, this is it. And so I return and re-engage. Passionately re-engage.

I meditate on an interview I recently read with Martin Prechtel, where he refers to the Mayan spiritual tradition of making  things (“our houses, our language, our relationships”) fragile enough that the need for constant repair and rebuilding creates an urgent condition for community to keep renewing itself:

It’s a fine balance, making something that is not so flimsy that it falls apart too soon, yet not so solid that it is permanent. It requires a sort of grace. We all want to make something that’s going to live beyond us, but that thing shouldn’t be a house, or some other physical object. It should be a village that can continue to maintain itself. That sort of constant renewal is the only permanence we should wish to attain.

Connection, disconnection, renewal; building, disintegration, rebuilding: it is taking things apart and putting them back together that makes us strong.

Since we’ve returned, I’ve found myself in tension with all the good habits I had been trying to create in the past year – around homeschooling, around writing on this blog, about making art – but this has also been a relief. Maybe that was what I needed in the fall and winter, to create structure as a way to anchor the introspection and drifting away that I feel in the colder months, as a way to anchor the restlessness that I felt last summer.

But structure and I have always been had an uneasy relationship. And now, as I start to slip already into my summer self, structure again feels oppressive, and I need most of all to get out of the house, be with people, spend hours of each day outdoors, celebrate and grieve, take off for small adventures, follow my children’s lead, follow my heart.

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